Resistance and Subjectivity in Margaret Atwood’s The Testaments

Abstract

The connection between women and nature has persisted throughout history and across cultures, as evidenced in literature and art. However, Western thought has concocted an androcentric mindset that prioritises culture over nature, resulting in human domination of the environment. Challenging this view and recognising our interconnectedness with the ecosystem is vital. By employinging feminist literary criticism, dystopian studies, and ecofeminist criticism, we can deconstruct the symbolic and historical association between women and nature. The Testaments (2019) by Margaret Atwood exemplifies how characters Agnes and Lydia redefine their identities using subversive nature writing to resist victimisation and pursue empowerment. By embracing ecofeminist conceptions and visions, we can spotlight the need for equity among marginalised groups and reflect on the destructive influence of androcentrism. This chapter explores ecofeminist conceptions and visions in Atwood’s novel to show the fallacious view of androcentrism and revive alternative perspectives. © The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Pte Ltd. 2024.